Moonage Daydream Traces David Bowie’s Evolution As an Artist Through Vivid Archival Material

david-bowie-1
NeonDavid Bowie seen in ‘Moonage Daydream’

From there, Morgen traces Bowie’s evolution not just as an artist, but as a person who ultimately grew to feel more comfortable sharing bits of himself with the public. He includes clips from Bowie’s films—among them

It’s probably impossible to make the definitive documentary about a figure like David Bowie, who was so much larger and grander than life. The beauty of Brett Morgen’s velvet-and-facepaint collage Moonage Daydream is that it doesn’t try to be definitive. Instead, it’s a glide through Bowie’s career, hardly complete yet somehow capturing both the spirit and the genius of this most enigmatic and alluring artist. Morgen—whose films include the Kurt Cobain documentary Cobain: Montage of Heck and The Kid Stays in the Picture, about high-flying studio exec Robert Evans—has painted this sprawling mural using only archival material, including clips from television talk-show interviews and lots of concert footage. The effect is a kind of swoony, merry-go-round swirl; there are no current-day talking heads to break us out of this dream.

[time-brightcove not-tgx=”true”]

Morgen seems to recognize that, from the moment Bowie splashed onto the scene in the early 1970s—his first two albums, released in 1967 and 1969, were not hits—to the moment he died in 2016, there were almost too many David Bowies to count. Morgen begins with the artist’s Ziggy Stardust persona, circa the early ’70s: he was a slender reed of a man with a choppy strawberry-red haircut, eyes rimmed with stark eyeliner. The concert footage Morgen chooses from this era is electrifying: Bowie is part butterfly, part untouchable glitter god, a creature of splendid beauty whose remoteness is part of his appeal. The crowd of English kids who turn out for his concerts can’t get enough. There’s footage of them streaming into one of Bowie’s shows, dressed in the best version of cool clothes they can muster—you can tell most of them don’t have much money, but they already know that swagger counts for a lot. Many have teased their hair and painted their faces …read more

Source:: Time – Entertainment

      

Leave a Reply

Your email address will not be published. Required fields are marked *